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    In the first few decades of the 20th century, several men's sides were formed, and in 1934 the Morris Ring was founded by six revival sides.In the 1950s and especially the 1960s, there was an explosion of new dance teams, some of them women's or mixed sides.Sharp was intrigued by the music and collected several tunes from the side's musician, William Kimber; not until about a decade later, however, did he begin collecting the dances, spurred and at first assisted by Mary Neal, a founder of the Espérance Club (a dressmaking co-operative and club for young working women in London), and Herbert Mac Ilwaine, musical director of the Espérance Club.Neal was looking for dances for her girls to perform, and so the first revival performance was by young women in London.

    While it is possible to speculate on the transition of "Morris dancing" from the courtly to a rural setting, it may have acquired elements of pre-Elizabethan (medieval) folk dance, such proposals will always be based on an argument from silence as there is no direct record of what such elements would have looked like.Over the following years he took the side to several places in the West Country, from Malvern to Bicester and from Redditch to Moreton in Marsh.By 1910, he and Cecil Sharp were in correspondence on the subject.The means and chronology of the transmission of this fashion is now difficult to trace; the Great London Chronicle records "spangled Spanish dancers" performing an energetic dance before Henry VII at Christmas of 1494, but Heron's accounts also mention "pleying of the mourice dance" four days earlier, and the attestation of the English term from the mid-15th century establishes that there was a "Moorish dance" performed in England decades prior to 1494.While the earliest (15th-century) references place the Morris dance in a courtly setting, it appears that the dance became part of performances for the lower classes by the later 16th century; in 1600, the Shakespearean actor William Kempe Morris danced from London to Norwich, an event chronicled in his Nine Daies Wonder (1600).Boxing Day 1899 is widely regarded as the starting point for the Morris revival.Cecil Sharp was visiting at a friend's house in Headington, near Oxford, when the Headington Quarry Morris side arrived to perform.A small statue of a "Moriskentänzer" made by Erasmus Grasser in 1480 for Old Townhall in Munich, one of a set of 16, of which only 10 remain.This dancer has an appearance which would be described at the time as "moorish", but all the other nine surviving carvings are fairer-skinned. Morris dance is a form of English folk dance usually accompanied by music.The modern spelling Morris-dance first appears in the 17th century.The English dance thus apparently arose as part of a wider 15th-century European fashion for supposedly "Moorish" spectacle, which also left traces in Spanish and Italian folk dance.When the crown was restored by Charles II, the springtime festivals were restored.In particular, Whitsun Ales came to be celebrated on Whitsunday (Pentecost), as the date was close to the birthday of Charles II.It is based on rhythmic stepping and the execution of choreographed figures by a group of dancers, usually wearing bell pads on their shins.

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