She’s wearing a pink and silver metallic sari – a comparatively casual affair next to the all-white, Leigh Bowery-esque bodysuit and facemask she’ll be playing in tomorrow.We’re here to listen to her new, currently untitled ninth album, which she’s been working on for the past two years, beginning almost immediately after releasing her last full-length saw Björk address her split from Matthew Barney – the avant-garde artist she’d been in a relationship with for 13 years – in unflinching terms.Tricky has stated that he has "been through a lot Retrieved 3 September That made me realise why I'm here, to help people. Like any insular set of people, it's always swirling with the best rumors. However, they still haven't gotten rid of their West Houston Street apartment or their house in Snedens Landing, N. Either they bought the Brooklyn house so that one of them could live their with their daughter, or they just wanted more room and can't get rid of either property in the shitty real estate market.worked together in June at the Diest Foundation for Contemporary Art on the Greek island of Hydra.“Maybe that’s why it became a utopian theme – if we’re gonna survive not only my personal drama but also the sort of situation the world is in today, we’ve got to come up with a new plan,” she says.“If we don’t have the dream, we’re just not gonna change.Björk Guðmundsdóttir is DJing at Barcelona’s Fira Montjuïc, and the room is sweating.She’s playing a special four-hour set to open Sónar Festival, and over the course of the night the music has been oscillating between aggressive and sensual sounds – a neck-snapping polyrhythm might mutate into a Rihanna vocal, a guttural bassline into ecstatic R&B.
At the height of their success they were playing stadiums supporting U2, but Björk’s interests lay elsewhere, and she was soon pursuing a solo career, ditching guitars to immerse herself in the UK’s electronic scene.
But when she was offered the chance to do a follow-up, she declined – she wanted to focus on writing her own music instead.
Even at this young age, she seemed destined to go wherever her muse took her: Björk's subsequent teenage years saw her immersed in Iceland’s punk and experimental scenes, playing with Spit and Snot before fronting the temperamental Tappi Tíkarrass (translation: ‘Cork the Bitch’s Arsehole’) and the convention-shattering Kukl.
Her first three solo albums – 1993’s – remain among the most ambitious of that decade, establishing Björk as one of pop’s true renegades: a singular voice, a sonic adventurer driven by an insatiable curiosity and relentless pursuit of the new, and a talent who could terraform electronic subcultures into her unique strain of avant-pop.
2001’s took a different tack: largely recorded at home on her laptop, its more pastoral, delicate sound explored Björk’s nascent romance with Matthew Barney (they would have a daughter together, Isadora, a year later).